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Search resuls for: "Kate Guadagnino"


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How do we define furniture? The goal was to land on a wide range of offerings, but there were parameters: To qualify, each piece was required to have been fabricated, even if just as a prototype, within the past 100 years. Lighting was excluded from the debate — “which is nuts,” said de Cárdenas, a former men’s wear designer who started his firm in 2006 — unless it was attached to, say, a desk. (The Italian architect and designer Ettore Sottsass’s illuminated Ultrafragola mirror, which presaged selfie culture by decades, made the cut.) There were no limits placed on provenance, and a piece didn’t need to have been designed by a known name, or even attributable.
Persons: Rafael de Cárdenas, Daniel Romualdez, Modern Art’s, Paola Antonelli, Julianne Moore, Katie Stout, Tom Delavan —, Oki, , de Cárdenas, Ettore Sottsass’s, Antonelli, Charles, Ray Eames, Le Corbusier Organizations: New York Times, Museum, Modern Locations: Italian
[LAWNMOWER STARTING] [UPBEAT MUSIC] This house, to me, could be a house, but it could also be a Memphis Milano museum or an art gallery. [UPBEAT MUSIC] This is the bacterium design that I stole to make the terrazzo floors. I love pink, hot pink and fluorescent pink, because I think it makes me feel good. [UPBEAT MUSIC] [THUNDER] This is my bedroom, and there’s a great view of Forest Park, which is actually bigger than Central Park. Some of the people here refer to this house as the “Miami Vice” house.
Persons: I’m Katherine Bernhardt, there’s, Murphy, Nelly, Organizations: Memphis Milano, Miami Locations: Memphis Milano, Forest
A New Line of Subtle, Glamorous Clothes
  + stars: | 2023-06-23 | by ( Kate Guadagnino | ) www.nytimes.com   time to read: 1 min
That doesn’t mean she’s naïve about the pace of fashion or New York, though. She’s looking forward to expanding into knitwear and, when she talks about her client, which is often — Rhee is the kind of designer who never forgets that her designs will be worn — she describes her, first and foremost, as a woman in motion. Toward the end of the look book for this first offering, which is available for preorder on the brand’s website, there is a four-panel grid of images that read like film stills: A woman in a suede and leather patchwork coat approaches a tree; then she passes behind it and less and less of her is visible behind its trunk until, in the last photo, she is gone. “She has to be able to imagine herself walking around the city and going places,” says Rhee. In other words, she has to be able to imagine herself living, which happens to be the name of the collection.
Persons: — Rhee, , Rhee Locations: New York, knitwear
Card 2 of 12Pink Floyd, ‘The Wizard of Oz’ and MeThe inside story of a Times reporter’s strange role in a foundational moment in early internet culture: “The Dark Side of the Rainbow.”Background Image: A video montage showing scenes from “The Wizard of Oz” with Pink Floyd song lyrics superimposed.
Persons: Pink Floyd, , Oz ’, Oz
What do you think queer literature specifically has to say with its hybrid forms? Gay: I don’t think you can overlook nonfiction in talking about queer literature. Queer and trans people have, amazingly, taken that demand and subverted it, and that’s why those kinds of stories are so important. Also, Roxane, the point you were making about how some of the greatest truths of queer culture and activism have been done in nonfiction … Oddly enough, queer fiction writers have long hidden behind persona and character to write about queer culture and about themselves. I remember interviewing Galgut once and saying, “Your character Damon” — and he stopped me and said, “No, that’s not a character, that’s me.” I thought to myself, “I’m trying to protect you here,” which is a very quaint protectiveness on my part.
Persons: , Adrienne Rich, , ” Lorde, Lorde, ” — Tomi Obaro Soller, Roxane, I’m, we’d, Edmund White, Marcel, Proust, André Gide, Ernest, Hemingway’s, Hemingway, Ed, Gide — White, Willa Cather, Mukherjee, Damon Galgut, Damon, Galgut, Damon ” —, , “ I’m
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